![]() ![]() I’d say characterization was quite tastefully handled here for the most part.Īnd now, for the biggest weakness for this movie. The subtle tension between the elusive tiny people, and the gigantic humans, are played upon quite well here, which adds quite a few tense moments between Arrietty and Sho. Her rather odd relationship with Sho, as well as how Sho perceived her, turned out to be quite fascinating and, in a sense, admirable. I found the innocently curious, yet straightforward and resolute attitude of Arrietty quite likable. The Celtic influence in the soundtrack is immediately noticeable, but it was definitely an excellent choice on Ghibli’s part.Ĭharacterization of the actual characters wasn’t exactly anything mindblowingly original or exotic, but the main cast was rather believable for the most part, and had their own charms to them. What is a bit unusual here is how the soundtrack was actually done by Cécile Corbel, a French singer and Celtic harpist, who was a huge fan of Ghibli works and sent samples of her work to the studio. The absense of Joe Hisashi’s music in this Ghibli film is instantly noticable, and while some of the pieces here may lack a slight bit of the grandeur of Hisashi’s works, the soundtrack is still well done. The soundtrack is especially fitting for this movie. It doesn’t hurt that the scenery and artwork was vibrant and lush with color. This movie takes your everyday backyard, and turns it into a vast new world to explore. Things such as a simple vine you could find creeping across the wall of any old house transforms into an intricate ladder of leaves and stems to the rooftops, or a field of grass and flowers becomes a vast forest. Simple things that you could find in your everyday backyard, from Arrietty’s perspective, all of a sudden have a grandiose feeling to them. What I really enjoyed about this movie is how it is told from the point of view of little Arrietty as opposed to the perspective of us “regular humans”. The creativity and thought put into the tiny details are awesome, from the fishing hooks and scotch tape, to the little neat cubes of sugar that fits like a well-sized package in the hands of Arrietty. They use everyday items like fishing hooks, double-sided scotch tape, and spools of thread to create their own little sets of backpacks filled with tools they use to make their lives a little easier, and make the characters fascinatingly believable. The creative, yet simple, ways in which Arrietty and her family are portrayed are captivating, such as the little toolsets Arrietty’s family made in order to explore the “human” house. One of the charming aspects to this movie is, without a doubt, the amount of attention paid to the little details that makes the presence of little people so believable. Arrietty fits more into the latter, with it’s setting being modern day society with a small little twist there are tiny, tiny people living under the house, and they borrow from humans to survive. Ghibli usually makes two types of movies, either fantasy movies that focus on themes that are rather critical of problems in society (Miyazaki’s Princess Mononoke and Nausicca come to mind), whereas in more recent times we’ve seen more slice-of-life fantasy adventure movies. Studio Ghibli is quite renowned for it’s rather large portfolio of acclaimed family movies, and you could definitely add Karigurashi no Arrietty to that list. Despite her parents' warnings, Arrietty befriends Shou, stirring up unexpected events that may change their lives forever.ĭelighting the eye and conquering the heart, the breath-taking story of a friendship transcending the tensions between two different human kinds begins. In addition to keeping their existence hidden, they must also embark on perilous adventures into human territory, from the house to the outdoors, in order to make a living. However, he fails to understand the adversities they face on a daily basis. As he discovers that she lives in the house basement with her parents, Pod and Homily, Shou becomes imaginably excited at the idea of such unique neighbors. While spending the summer at his aunt's house, the young but sickly Shou makes an amazing discovery: after following the house cat into the bushes, he gets a glimpse of a miniature girl about the size of his finger! Calling her kind "Borrowers," as they survive on tiny bits of human possessions, the girl introduces herself as Arrietty. ![]()
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